Like the Time Lord off of the telly, The Modernist magazine never dies, it takes on a new form, regenerates, gets some new companions and heads off on a thrilling new adventure. After eight issues and two years, our resident designer, Jonathan Hitchen has passed on the propelling pencil to our new companions, Daniel James and Jacob Critchley (of birthday and Rueville design respectively) working together as team ‘19. team ‘19 have pushed and pulled, tweaked and stretched the magazine and yes, like BBC2 in 1967 we have gone colour. So, you’d better make sure you have a license. Our editorial team has also transformed and is now working in collaboration with a team of guest editors who will each take one issue and lend the magazine their voice and their own take on the world of Modernism. First up is Hannah Neate. Hannah is cultural and historical geographer with particular interests in geographies of art and architecture. Amongst other things, her research examines how special interest groups and broad publics experience, value, and campaign for post-war modernist architecture and this resulted in the publication Modern Futures. So, put on your dust jacket, get out your library cards, open up your box files and delve into issue 29 - inventory. 就像电视上的时间领主一样，“现代主义”杂志永远不会消亡， 它呈现出一种新的形式，重新焕发活力，获得一些新的同伴， 并开始一场激动人心的新冒险。 经过八年和两年后， 我们的常驻设计师Jonathan Hitchen 将自动铅笔传递给我们的新同伴Daniel James 和Jacob Critchley（分别为生日和Rueville设计）作为团队一起工作。 teamhave推拉，调整和拉伸杂志，是的， 就像BBC2在1967年我们已经变色了。 所以，你最好确保你有许可证。 我们的编辑团队也进行了改造， 现在正在与一个客座编辑团队合作， 他们将分别处理一个问题，并将杂志的声音和他们对现代主义世界的看法借给他们。 首先是Hannah Neate。 汉娜是文化和历史地理学家，对艺术和建筑的地理位置特别感兴趣。 除此之外，她的研究还探讨了特殊利益集团和广大公众对战后现代主义建筑的体验， 价值和活动的影响，并由此产生了出版物“现代期货”。