DO WHAT I WANT
autodidact Issue 1'Duality'
Issue #35'A Museum for James Baldwin'
New「新/新しさ」da大 c-SITE#1
closing ceremony magazine
Golden Hour
Toothbrushes
kajet
hotshoe
paper journal
rabona
frieze
macguffin analog
the gourmand
toiletpaper
pressing matters
the mobernist
faim
节气食堂
printedpages
blow
racquet
satpro
elephant
kuoyi 可以
devolution 2017
counterpoint
common gender
warp
civilization
yuca
eye
camo collective the plants
逛美术馆之……when you visit the museum
milvus 2/100m
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 



《Golden Hour》是Same Paper为韩裔美国摄影师 
KangHee Kim 出版的第二本摄影书。本书收录了她以日落为线索创作的图像作品,
KangHee Kim试图以一本书的方式拉长稍纵即逝的黄金时间。

在签证限制下,KangHee Kim已经有超过十年的时间,
无法回到自己的家乡韩国,也无法踏出美国境外一步。
在这种身体及身份认知的受限下,
KangHee kim希望在摄影中寻找到一种“逃离”的方式。
在《Golden Hour》一书中,我们可以看到不少她关于旅途中的人物及风景的作品,
而这些场景和瞬间都是“幻想”出来的。她在偶然遇见的日常画面中寻找素材,
拍下之后再按自己的意愿,用 Photoshop 对场景进行组合与拼贴,
修改光影甚至摧毁原照片。Photoshop 对她来说如同相机的快门或是画笔,
篡改直接摄影中的时间、场景、地点等决定性因素,最终创造出属于自己的新图像。


Same Paper presents Korean photographer 
KangHee Kim's Golden Hour, 
her second book since her first published series, Magic.

Golden Hour captures the magic of the golden hour– 
the moments immediately after sunrise 
and before sunset–through a time-lapse from daylight to dusk. 
Golden Hour is a photography collection 
from her ongoing project Street Errands, 
a series of collaged photographs portraying 
everyday errands in New York, California, 
Colorado, and Hawaii. Because of visa restrictions, 
she has not been able to return to Korea or 
travel outside of the U.S for over ten years. 
Kim copes with restraints through surreal escapism
by manipulating images produced from mundane encounters. 
She liberates herself from the restraints of reality 
by layering familiar spaces into new ones.